Her bell-like soprano voice ringing through her big solo "On the Steps of the Palace," Billie Wildrick's runaway bride Cinderella isn't exactly thrilled about becoming a princess.

Seattle Times

Misha Berson

Billie Wildrick's Cinderella is totally satisfying as she makes the journey from scullery wench to princess, and she sparkles on her solo "On the Steps of the Palace."

Talkin Broadway

David Edward Hughes

I also liked Billie Wildrick very much as Cinderella, with her lovely voice and very sympathetic, unaffected character equally delightful as mistreated child and searching princess.

Aisle Say

Reviewed by Jerry Kraft

Billie Wildrick's marvelously sung Cinderella flees her Prince, who cheats on her with the Baker's Wife

Seattle Weekly

By Tim Appelo

Into the Woods is all singing—complicated, layered singing—and this production, to its credit, is exceptionally well sung. They could do a soundtrack. Plus, Stephen Sondheim's lyrics are clever, rueful, sex-crazed, and dark. Which is why it's disappointing that director/choreographer Mark Waldrop has staged the show in a way that makes you feel like you're on a middle-school field trip. Everything aspires to be kicky and cute. Michael Hunsaker, as the Wolf, gets to sing a song about lusting to kill and eat Little Red Riding Hood (10-year-old Ireland Woods [seriously, that's her name, and she's great]), but totally neuters it. The other principals (especially Billie Wildrick, Leslie Law, and Logan Benedict) are awesome.

The Stranger

CHRISTOPHER FRIZZELLE